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Sunday, February 21, 2010

I Dream an Organized and Creative Workspace

Ernest Hemingway Had the Right Idea ...


This is what I call a creative and organized workspace.  Earnest Hemingway had the right idea when he created his Sun Valley, Idaho writing retreat.  

Beautiful scenery keeps the creative juices flowing.  His manual typewriter takes me back to a simpler time.  I transport back to my powder blue Corona passed down the hand-me-down family train until it finally reached me, the fifth child.

I'm back at my dining room table in my childhood row house banging away on my manual typewriter into the wee hours.  It didn't matter that computers had entered our world in a big way.  There I sat typing away with my whiteout next to me.  Organization was non-existent.  A creative backdrop ... are you kidding?  

Not exactly, unless you call an iron board piled with folded clothes, a dining room set from the 1940s, clutter from one end of the dining room table to the other inspiring.  Did I mention five kids and a dog?

If money was no object, I'd put my dream office in an A-frame house on a hill with views of the ocean and mountains in beautiful Maui.


But I live in the real world with everybody else.  My life is on the east coast, an hour from any waves.  I stare at my cluttered rolltop desk.  A bottle of vitamins, stapler, deodorant, exercise dvds and a bar of soap commune with papers galore and eye wash.  Peace is not here.


 


What's a woman to do ... cyber-surf.  I find more than a few stylish work spaces that would suit my needs for creativity and organization. 

A few minor adjustments, and the craft desk (above) would serve my purposes well.   I'd make the shelving and desk wider and store my submitted manuscripts in the boxes on top of the shelving.  My scriptwriting and other software would go in smaller rattan boxes.  

The binders would hold magazines I queried or plan to query for articles.  I'd replace the bottom plastic storage with rolling rattan file cabinets for my ongoing projects.   I'd add a serenity fountain, a jar of shells, sand and a couple of inspirational phrases on the walls to keep me on task.  

Tiffany blue and chocolate would be my color scheme of choice. I'd fill the shelves with an assortment of Tiffany blue and chocolate boxes, some with damask and polka dot patterns.

   

This would make a great additional wall unit.  Since I write for more than several markets, this shelving unit can hold magazines, scripts, greeting card samples, book manuscripts and so forth. 
.   



Wow, this one is even more ideal.  I could study a television show on one screen while writing notes on the other for a script.  I do that now, but it doesn't look quite like this.  I'd encase it and turn it into a built-in unit with shoji screened doors, so I can close it up when I'm not working.  Even if I have a dedicated office space, (I currently work out of the corner of my living room)I'd also use it for non-writing pursuits. 




This Tiffany Blue craft room excites me because my writing workspace would also double as a studio for my second passion:  vintage hats and handbags.  I hope to start creating them on the side.

I know what you're thinking.  With a hectic online writing business and creative writing projects -- when would you have the time?  But you see, it's actually all connected.  We'll get into that in just a moment.  


  

Now this room is clean, organized and a little sterile.  The color is too depressing.  It just doesn't scream creativity.  I'm looking for a workspace that's also my muse.  You know every writer needs one or two.

A Murphy Bed Office?
 

What a great concept!  You can quickly transform the office into guest quarters because the "flip" side of this desk and shelving unit houses a Murphy bed. A rolling filing cabinet lets you keep work close by or tucked away.

  
(pop art)

This pop art is a definite choice.   I'd get two made, one of my Mom and the other of my sister, Diane -- my biggest supporters who passed away.   

I'd add a wall of shelves or a glass cabinet filled with my interests and rotated periodically.  I'd display vintage handbags one season, a doll collection another season ... you get the idea. I'd also find one of those dress forms and keep a retro dress on it or decopage a collage. This would happen with any of the above designs.

 

These boxes serve function and art.  I love them!





 If I'm really dreaming a workspace that's doable in the near future, here's my inspiration.  Milliner Amy Hamilton, owner of the Granville Millinery Company, designs handcrafted hats in her restored 1859 farmhouse in Ohio for the Kentucky Derby, Red Hat Society, celebrities and the Average Joan.  


Since I write family sagas spanning generations that blend yesterday with today and a little tomorrow, what better place to write than in a Hollywood glam atelier/writing room.   My Hollywood Glam is a mixture of Mid-century Modern, Art Deco and Asian design.  All of my favorites.

 

I'd like to design hats you can imagine worn by Lena Horne, Ingrid Bergman, Lucille Ball and Dianne Carrol, 50 to 70 years ago.  But not in the same magnitude as Amy Hamilton. 


And since cartooning is another foray, my work space has to be whimsical too.  Until I develop my millinery skills, I'll settle for collecting them.

 

To dream my workspace is to be surrounded by vintage hats and handbags with my desk in the middle or somewhere alongside with shelves and boxes for storage in Tiffany Blue and Chocolate -- pop art -- a dress form with one of Posh Girl's Vintage bridal gowns -- a few favorite cartoons on the wall -- and a table for designing accessories.

Now I'll explain about what I meant when I said my work is all connected to my workspace design.  Let's say I'm writing a brochure for an insurance company, a creative environment will spark an innovative spirit and produce attention-grabbing copy.  An uninspiring one may produce uninspiring results.

My characters breathe through me.  I have one who designs hats, another who designs handbags, two create cartoons and murals, another writes soap operas, and an eleven-year-old who helps her granddad on his candy machine route.  

Needless to say, I dream a workspace where my characters can feel at home.  As Candace Olsen of HGTV's Divine Design would say, "How Divine!"

Stop by iCafe Woman Moderne with your favorite beverage.  It's where women can just be. 

 

   
 

Saturday, February 13, 2010

Do it Afraid!

(Kim Possible)

Hello World, it's me again, Joan B. Average ... and this time, I'm doing it afraid!  Sorry for the ten-week delay, but if you're a writer, you know we live in two worlds.  The real world and the one we create in our heads.  

 (Khavan's angry face)

We're annoyed when the real world pushes us out before we're ready to emerge.  Our fists are balled, our eyes blazing, we're ready for a fight.  Rambo is no match.  But on the outside, we apologize, placate and step back into the status quo with a need for Pepto Bismol and chocolate. Lots of chocolate.

(box of chocolates-Fannie Mae Chocolates)


 
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We (writers) want to stay balled up in our fulfilling world of protagonists, antagonists, compelling drama, conflict, triumph, mayhem, madness and the joy we create.

At the same time, we're thankful.  Because if our family members and sister friends didn't pull us back, we'd probably be babbling to ourselves in a padded room with visitors once a week.  

Wow, think of the movies and books we'd create. We'd probably win a Pulitzer and an Oscar.   Down girl!  Now how did I get back to the writing.  You see, it's who we are.  It's not just a career, especially if you find something good about being in a rubber room. Think happy thoughts.

 
 

Aah ... I'm back.  I can see the finishing line of my sleepless-in-fiction goal -- my first novel aka novels.  I'm a few chapter edits away from submission, well ... re-submission.  This is actually a rewrite from the suggestions of a publishing exec I met at the Maui Writers Conference.  Time indeed has passed because now it's called the Hawaii Writers Conference.  (a recent change) Nevertheless, I won't let a little thing like time stop me. 

My biggest challenge and the reason for my ten-week disappearing act was an 1,100 page, bear of a manuscript, I managed to edit and cut into two and a half books.  Procrastination was the culprit.  Not the kind of procrastination that stops you from writing, but the avoidance kind.

 

Sure, I dove into my other writing projects like a cat to nip ... just to avoid my literary Mt. Everest.  Now that I can see the finish line of my family saga flag from where I'm dangling with a harness three jagged rocks away, I can shout it out:  "I did it afraid and I'm proud of it."

On January 23, I finished the actual cutting and I'm only a few chapters away of sending it to a close friend who heard me utter my first declaration -- "I want to write a novel" -- eons ago.  I shudder to admit that it was in another century.  I had to go there.  

Next, it'll go to my editor, who was one of my first editors right out of college.  Life really does come full circle.  And then it'll go to a former book production editor friend who should catch any glaring red flags. 

 (The Sisterhood of the Traveling Pants)

This is my version of "The Sisterhood of the Traveling Pants," I like to call the "The Sisterhood of the Traveling Manuscript."   My hope is that it fits everyone who wears it ... all shapes, sizes, walks-of-life, ethnicities, etc.  You get the idea.

Don't be surprised if you see that title in an upcoming post.  I hope it'll be nothing but blue skies, green lights and clamoring book editors when I ease on down re-submission road in early Spring.

(Flickr.com)

Before I go to the Land of Oz, this Average Joan owes you my sincerest apology for not letting you in.  Believe me, it won't happen again.  I owe it to all of you Average Joans out there, to let you know the good, the bad, the crazy, the wonderful and the ugly on a daily or every other day basis.

I'll take this pledge with you as my witness. 

I AVERAGE JOAN DO SOLEMNLY PROMISE TO LET YOU INTO MY ADVENTURES IN FICTION WRITING AND SCRIPTWRITING WHETHER I AM BOLD OR DO THEM AFRAID.

 Chocolate Heart

We'll seal it with anything chocolate. 

There's strength when you do things afraid.  There's victory when you don't let fear stop you.  There's a power you release into the world that never returns void when you set out to live your purpose with faith.  

Welcome back to the roller coaster ride ... don't forget to buckle up.




Miracles and Blessings!



Stop by iCafe Woman Moderne  
Avirtual cafe where you can just be.
  

Monday, November 30, 2009

An Artist is What an Artist Does With a Blank Slate


(Glorious Treats - Pina Colada Cupcakes)



(Glorious Treats - Cars Birthday Cupcakes)

Gaze upon these masterpieces... a sweet feast for the eyes by this master artist, sculptor... and yes, she also goes by Mommy and baker.  This is the artistic work of Glory Albin, a 30-year-old, stay-at-home-mother of two, who loves cooking, baking, gardening and scrapbooking.  She's an artist and an Average Joan who transforms the ordinary into extraordinary delectables.

Now that I've made you snatch that Snickers bar from your secret stash, I guess you're wondering what does this impressive cake artist have to do with writing?  Is she writing a cookbook?  I don't know, I haven't met her personally.  From what I saw in her Flickr photostream, she could easily create a coffee table art book with recipes.  There you go!

Artists come in many forms, you don't have to own a paint brush and canvas to be an artist.   You can wear an apron, hold a camera, stage a house for sale... etc. 

Writing is like baking and painting... but I'll use the baking analogy since breakfast and lunch consisted of one piece of Bit O' Honey hard candy.  




Scribes start with a white computer screen -- and for the baker -- it's the flour.  Without adding more ingredients, all you have is a white screen and something inedible.  So, to make those delectable creations above, you need to add your sugar, some salt, butter... but in my case... I add the characters, both sweet and salty... the plot, butter it up with foreshadowing and so forth. 




(cupcake cups - Glorious Treats - I don't need diamonds)
(Uh, yes... you do.)

If I'm writing sales copy for a client, I adjust the recipe to include benefits for the consumer and attention-grabbing words that keep the reader devouring the sweet copy.

Just like my cake artist who admitted to seeing herself as an artist in her Flickr post -- us Average Joan scribes have to own ourselves as artists, even if the masterpiece is an instructional manual for a flat screen television. 

I stumbled on Glory's chocolate cupcakes on Flickr.com when I was looking for sweet artwork to entice cyber-surfers into iCafe Woman Moderne, an intergenerational women's virtual cafe, for its Cyber-Monday deals.  Yes, I linked the cupcakes to her photostream.


(Chocolate Cherry Cupcakes - Glorious Treats)


Maybe I'm taking the analogy a bit too far, but why can't a technical writer be an artist?  If you're skillful at using words to get a buyer not to throw that television manual down in disgust and actually read it from start to finish... then you're an artist. 


(Amazon.com)

Even if the pleasure comes from you, the buyer, enjoying a problem-free television without ever referring to the manual again... then that technical writer in Boise, Idaho is an artist. 

Did you just raised your eyebrows?  Okay, look at it like this.  Didn't our technical writer bring enjoyment to the buyer?   In my book, that's what an artist does, whether it's through words, photographs, entertainment, a leg of lamb or flour. 



You can also find the artist in you in areas never explored.

Case in point, the weekend before last, I coordinated a destination black & white-themed wedding in Atlantic City for the niece of one of my best friends.  












But, it didn't stop there.  On Sunday afternoon, I co-coordinated her aunt's red, white and blue-themed wedding.





 

For the Atlantic City wedding, I was working with a tight decorating budget, so I alternated the above Dollar Tree store favor boxes at each place setting, added red, pink and white rose petals, tea  candles, a large martini glass with crystals (the bride's vision) and rose petals in lieu of a formal centerpiece.  It was simple elegance.  




(Bride and Groom Wedding Strawberries)

I am not a professional wedding coordinator/event planner, but I play one on TV.  (Okay, I couldn't resist.) I guess it has something to do with my husband being a mobile DJ and Karoake professional.  I'm his roadie.  I often find myself lending a hand at weddings and events.














To my amazement, I discovered skills I never knew existed, like floral designing.  I created all of the bouquets and boutonnieres, including the bride's and groom's to glowing reviews.   

I also produced the wedding program.  No surprise there... I've designed plenty of booklets and brochures for work, so I tapped into those skills. 

It didn't take long for someone to thrust a microphone in my hand and I began introducing the wedding party like an entertainer in a Vegas lounge. (pardon me, Atlantic City lounge) 

Little, old moi... the one who breaks into a sweat when speaking in front of a crowd bigger than three.  I must say, this was good practice for when I do my author tour.  

Besides almost tripping on a speaker's wire, my husband and friends said I looked like a pro.  I guess I can add actress to my growing list of newfound skills.  

Have you recently discovered the artist in you?  If so, Joan B. Average, Scriptwriter wants to hear from you.   If not, Joan B Average, Scriptwriter still wants to hear from you.  

And finally, you can purchase this last feast for the eyes by clicking on the image below.  You'll find other delicious fruit and holiday gift baskets at Golden State Fruit.com.

To make your cakes and cupcakes look like masterpieces, purchase Glorious Treats' Cake toppers at Etsy.com.



 .







  
  



Tuesday, November 24, 2009

Step Right Up... to the Writing Contests' Game




















Pick a writing contest... any writing contest... and try your chance... maybe you'll be a finalist... maybe not.  And around the screenwriting competition wheel it goes... when and where it stops... nobody knows.  Are you a winner?


Entering writing contests remind me of the carnival games I played as a child on the Atlantic City Boardwalk.  You throw that hoop with all your might around the six-pack of Coca Colas.  You aim the plastic water gun toward the clown's mouth, hoping that red ball will get to the rim first.   And you enter the Scriptapalooza Screenwriting Competition hoping your movie script has the right aim and hits the target.


The prize... a huge stuffed bear in the form of a $10,000 prize, agent representation and your script making the rounds of top production companies and studios.   This stuffed bear will change your life.


I'm setting my screenwriting contest sights on Scriptapalooza's Feature and Television writing Contests.  The Blue Cat Screenwriting Competition also tickles my competition bug, offering all entrants helpful notes to improve their scripts. 

Like Scriptapalooza, the Don and Gee Nicholl Fellowships in Screenwriting Competition and The Austin Film Festival Heart of Film Screenplay Competition are the most sought-after.  They also remind me of the slot machines gamblers have been feeding all morning without any winnings.  But at any moment it's about to pay out big.  Neophyte scriptwriters send out scripts in the course of weeks, hoping that theirs will stand out among the thousands of other hopefuls.   

Undeterred by not making the semi-finals in Nicholl, Scriptapalooza and Blue Cat, this Average Joan is giving all three another whirl.  I've refined my previously submitted script and will tweak the new ones before the contest doors fly open at the end of December.  For the 2010 competitions, I'll enter two or thee features and for the first time, a pilot for the Scriptapalooza Television Writing Contest.







My budget will determine how many more I can enter, but adding Austin to the list is a definite possibility.


















This time I'm more armed.  Reading Tom Lazarus 's Rewriting Secrets for Screenwriters: Seven Strategies to Improve and Sell Your Work, helped me see rewriting with new eyes and polish my scripts, so I can come out the gate strong. 




But, before you start rewiting, step away from the script a few days. Clean your refrigerator.. organize your closet... watch an old movie... make a marathon out of it.  Do anything that will take your script out of your head for a few days.  Only then are you ready to rewrite.








Here are seven rewriting strategies from Rewriting Secrets for Screenwriters that may help you get on that semi-finalist list and beyond. 

1.   CREATE A SCENE LIST - Create a simple list of scenes you've actually written.   This will separate what you planned to write, what you think you wrote, and what you actually wrote and give you a fresh angle on the basics of your screenplay. You can move scenes around, delete irrelevant scenes and then, make the changes to your screenplay.

 2.  PRIORITIZE YOUR BIG SCENES - Usually they're key dialogue scenes that turn the story or explain the characters.    See how they relate toeach other. What you're looking for is an arc, where scenes start small and get bigger and bigger. There should be a build called rising action.  This keepst he reader/viewer glued to the story.

3.  TRACK YOUR TRANSITIONS - Transitions are one of the keys to writing smooth-reading screnplays.  Rewriting transitions will evolve your sceenplay.  Good transitions are a major factor hearing these comments about your screenpay:  "It was a page-turner" --"I couldn't put down."

4.  PLOT CORRECTIONS - List all proposed rewrites for our script.  Categorize them by the type and kind of rewrite.  You'll begin to see a pattern.  Once you become aware of your most comon mistakes and address them off the top, you'll have a shortcut to the rewriting process. 

5.  NEW INFORMATION - Analyze each scene independently and figure out what new information is carried in the scene.  Make a list. This way, you're forced to examine if a scene moves the story forward.

A ny scene that gives the reader/viewer new information, a new story beat, an evolution of a relationship, a playing of a story thread -- moves the story forward.  If a scene doesn't move a story forward, cut it or rewrite it so it moves it forward. 

6.  THE DIALOGUE PASS - Read your dialogue out loud.  Your ear will tell you which dialogue needs rewriting.

7.  ON-THE-NOSE REWRITE - Every time you read your script, rewrite it and make it better.   For the On-the-Nose-Draft, don't read for flow or grammar or action, but for how much your characters are saying what they mean.

Find out about upcoming screenwriting competitions at: moviebytes.com 

These books will help you polish your prized work:  (also, come in Kindle editions at:  iCafe Woman Moderne Store.